Skip to Content, Navigation, or Footer.
The Tufts Daily
Where you read it first | Friday, November 22, 2024

Peter Lam


theglasshotel-orig
Arts

'The Glass Hotel': An examination of disasters large and small

With the coronavirus moving rapidly around the world, it feels both eerie and well-timed to be reviewing Emily St. John Mandel’s work. Of the author’s past four books, her last was “Station Eleven” (2014), a novel about the devastation of the world following a flu pandemic (Mandel herself hasadvocated to wait a few months before picking it up). Her most recent work is also relevant, given this country’s current economic outlook: “The Glass Hotel” (2020) shifts gears to a story about financial collapse during the 2008 financial crisis.

Weather
Arts

Offill wades through climate anxiety in 'Weather'

In most popular apocalypse stories, the plot largely takes place either during or after a worldwide catastrophe. After a disaster or plague, we watch protagonists struggling to survive in a society post-collapse, which only vaguely resembles our current world. In an inversion of this narrative, “Weather” ...

9780399590597_custom-3e6b1d3e8c5519ef2300047870a71472d454908f-s600-c85
Arts

The power of memory in Coates' 'The Water Dancer'

In some ways, a Ta-Nehisi Coates novel might come as unexpected. His professional career has consisted of formidable social critiques as a nonfiction writer, best known for his books “Between the World and Me” (2015) and “We Were Eight Years in Power” (2017). “The Water Dancer” (2019) is ...

More articles »