Winkler's Weekly Symphony Guide: Love letter to Mahler
By Matthew Winkler | October 24Last week the Boston Symphony Orchestra’s program consisted entirely of Mahler’s “Symphony No. 6” (1906), a monumental work that literally ends with three massive hammer hits, which, for Mahler, were meant to represent three blows of fate. For newcomers to classical music, no, a hammer is not normally an instrument, but in Mahler’s world of course it is. And we’re not talking about a tiny hammer that might hit a chime. We’re talking about a hammer that could break a door down crashing into a wooden block the size of a table. And whoever said classical music was boring?!?!