Founded in 2014, Wuzee is a Chinese fusion dance group that strikes a balance between traditional Chinese dance styles and more Western contemporary styles. “That ranges from very traditional Chinese/ethnic dances to ballet and hip-hop components,” senior and co-captain Claire Liu said.
British rock is, to me, the best. It spans dozens of subgenres within rock & roll and each is heavy with intricacies. And more than that, it’s really, really catchy.
Students are pictured on the Residential Quad on Aug. 8. Nicole Garay / The Tufts DailyA sign that reads, "Practice physical distancing" is pictured on President's Lawn on Sept. 6. Ann Marie Burke / The Tufts DailyA student is pictured reading on President's Lawn on Sept. 20. Nicole ...
“Challenger: The Final Flight” is a series that doesn’t quite overcome the tropes of documentary filmmaking, but remains a well-told and engaging story nonetheless.
In the early months of quarantine, the two-time Grammy Award winning R&B artist H.E.R. began a livestream series, “Girls With Guitars,” a weekly conversation and performance with a fellow female guitarist on Instagram Live. On Episode 2, H.E.R. invited one of my biggest musical inspirations onto the show, Lianne La Havas.
The Handel and Haydn Society (H+H), Boston’s premier historically informed performing ensemble, has been forced to reinvent their season of live concerts in accordance with new public health guidelines.
There are ways to enjoy Halloween and “Turn Off the Light” this holiday season. Petras made the perfect soundtrack for the entire month’s festivities — that fun won’t stop given the current circumstances.
To get a taste of Neoclassical darkwave, Anna von Hausswolff is the best place to start. While her music can be classified or categorized in numerous other ways, von Hausswolff definitely blends classical and darker, drone-y elements into her compositions.
The film, which stars big-name actors Tom Holland, Robert Pattinson, Mia Wasikowska and Bill Skarsgård, travels throughout space and time as it tells an intertwining ballad of unholy human evils. With each story comes tales of woe, death, terror, religious ecstasy and, above all, sin.
Consciously or unconsciously, the zeitgeist of living in a world with coronavirus could influence television and movies thematically. Anxiety, frustration due to long-lasting lockdowns, and resentment toward a government that has mishandled its response to the disease will have an impact on the way screenwriters everywhere see the world, and how they characterize it.
“Don’t Ask me Where I’m From” deals with a variety of important subjects like code-switching, racism in education and the Metropolitian Council for Educational Opportunity (METCO), a long-standing program to aid in the desegregation of the Boston Public Schools that has been both praised and criticized. Given these pertinent conversations, De Leon’s novel becomes both a work that young adults can love and learn from, but that adults and educators can read and learn from as well.
The album itself is strong, and doesn't fall flat in many areas, save for some disappointing lyrics. The melodies are well constructed and beautiful, and Stevens' vocals are consistently enjoyable. However, it simply lacks the resounding greatness of his past work.
If you know what you’re getting yourself into, you’ll have a great time with this film. It’s not Nolan’s magnum opus, but it can certainly hold its own against his other great movies.
Bridgers released her second studio album, "Punisher" (2020) on June 18 to universal acclaim, with many heralding the indie-emo-folk effort as the record of the summer. But, as temperatures have chilled and leaves have begun to change, it seems more and more apparent that this collection of songs is inseparably linked with the fall.
So, here we are: at the beginning of what I believe will be a hopefully interesting, possibly odd, column. I can’t profess to know more than basic music theory, but I can promise my column will be ripe with the ramblings of a lifelong music-lover and shower-singer whose habitual humming, singing and lack-luster rapping skills somehow make her qualified to write for The Tufts Daily.
Sylvan Esso is known for its ambiguous lyrics, tender vocals and syncopated rhythms. With artistic decisions departing from indie classics like “Coffee” (2014) and “Die Young” (2017), their latest release “Free Love” (2020) guides listeners through a tour of the human experiences of vulnerability, relationships and change.
This season of “PEN15” delivers an experience just as weird, heartbreaking and unexpectedly wonderful as being a middle school girl is.
For almost $10, though, the stories are sadly hit or miss, with some incredible highs and some disappointing lows.
With so many fashion brands offering stylish options, there is no excuse to ruin your wonderful outfit with a less-wonderful mask.
What drove me back to watching Shinji Ikari driving a giant robot into the end of the world was, of course, not just the series’ spectacular visual and auditory features. Beyond the guises of a sci-fi apocalypse of giant robot fighting monsters or a voyage into Judeo-Christian mythologies, “Eva” at its core is about trauma and guilt, and our capacity to transcend them.
