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Where you read it first | Monday, April 14, 2025

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Powerhouse lineup draws crowds to MixFest

MixFest, a free annual concert held by Boston radio station Mix 104.1, drew an impressive audience last Saturday to the Hatch Shell stage on the Charles River Esplanade. The event, which began at 4 p.m., had attendees lining up before the gates even opened at 1 p.m., hoping to be among the first of thousands to enter the venue. Those who were successful received pink wristbands that granted them access to the stage area. Others who arrived later had no choice but to watch from afar - if they were allowed in at all.


The Setonian
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Other exhibits overshadow 'Holland on Paper'

With its exemplary but small collection of Art Nouveau pieces, the exhibit Holland on Paper: The Age of Art Nouveau" has the challenge of living up to other impressive and similar showcases at the Museum of Fine Arts . The exhibition, which opened on Aug. 10, is currently on view in the Frances Vrachos Gallery, the same space that was just occupied by "Art in the Street," a collection of 20th century European posters, earlier this summer. The MFA also hosted another compilation of Art Nouveau pieces in "The Postcard Age," which was on view through this past April. Though the new installation's expressive and decadent illustrations are engaging, it ultimately pales in the aftermath of these two predecessors.



The Setonian
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Music Review | Tokyo Police Club reemerges after four years with new album 'Forcefield'

In their first musical statement since 2011, Canadian alt-rockers Tokyo Police Club have just released a studio album, Forcefield." Having all but vanished from the zeitgeist of the indie music world, this - the band's fourth studio album - is a highly anticipated release. For a group that has been absent for nearly four years, the challenge for Tokyo Police Club is to find a new relevant niche in today's music scene. After gaining a small but loyal following with their abrasive but endearing 2008 debut "Elephant Shell," and really coming into their own in their sophomore attempt "Champ" in 2010, the self-inflicted hiatus of the would-be indie wonder has proven particularly damaging. For fans of their previous work, "Forcefield" will feel like an alien production - an album with no clear origin or purpose. Tokyo Police Club seem to have jettisoned their boyish charms in order to seamlessly fit into the prevailing contemporary indie-pop genre. Unfortunately, this meant leaving behind most of the band's personality and allure. "Champ," the band's second studio album, was full of personality and fun. The album drew listeners because of its lo-fi sonic aesthetic and fearless acceptance of the pop-punk genre. Songs like "Favourite Colour" and "Bambi" were weird, interesting and seemed to emanate directly from the four boys who were making the music. The sounds on both "Elephant Shell" and "Champ" were nostalgic - the songs were like the ones that your high school boyfriend's band played, only better. After releasing "Champ," Tokyo Police Club seemed poised to gain widespread recognition and explode onto the indie-punk scene with their slightly different, energetic musical style. However, after that album, the band stopped producing music - all but forcing fans to forget about their work. "Forcefield" represents a clear departure from the band's old image. Most bizarrely, lead singer David Monks has lost his signature twang. Known for his gruff voice and interesting pronunciation, a possible relic of his Canadian roots, Monks has, on "Forcefield," assumed a much more accessible and generic sound. In fact, subtle changes seem to have happened to every member of Tokyo Police Club. While their first two albums were littered with heavily distorted riffs, glaring synth and powerful pounding percussion, their latest release seems docile and unambitious in comparison. However, "Forcefield" is not a failure of an album. Indeed, many of the tracks are fun and easy listens. Songs like "Through the Wire" and "Feel the Effect" are perfectly suited for today's sonic landscape


The Setonian
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New drama 'The Blacklist' delivers big twists

NBC made a good call by picking up The Blacklist." The long-struggling network, which has seen consistently poor ratings over the past few years, has finally found a show - other than "The Voice" (2010-present) - that might prove to be a real hit. It debuted with solid numbers, though of course it probably helps that "The Voice," whose season premiere delivered an impressive 14.7 million person audience, is the new drama's lead-in. That's not to say that "The Blacklist" is incapable of drawing in viewers on its own merit


The Setonian
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'Machete Kills' exhausts viewer amusement

Robert Rodriguez's Machete Kills" begins with a mock preview of an even more ridiculous sequel, "Machete Kills Again ... In Space." That should tell you everything you need to know about this film.



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'Cesar Chavez' fails to convey passion of title character

C?sar Ch?vez is perhaps the most famous Mexican-American civil rights activist in American history, but, sadly, many Americans know little about him. Ch?vez's movement to organize farm laborers in California during the 1960s and 1970s is an often-overlooked facet of American history. The activist's story, however, hits the big screen with new film Cesar Chavez," directed by Diego Luna. The Mexican actor-turned-director - known for his roles in "Y Tu Mam? Tambi?n" (2001) and "Milk" (2008) - has unfortunately fallen short in his directorial debut. This biopic, the first English-language film he has directed, ultimately disappoints. "Cesar Chavez" fails to muster the same charisma and passion the civil rights activist so clearly possessed.


The Setonian
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'Enough Said' brings relatable warmth

Although many successful movies are characterized by heavy drama, sometimes showcasing life's simple, everyday interactions can make a film even more emotionally effective. Enough Said," written and directed by Nicole Holofcener, depicts the romantic and personal travails of a middle-aged woman in suburban California. While the plot initially may not appeal to the college-aged crowd, the movie perfectly captures the triumphs and difficulties of average relationships - a theme that viewers of all ages can enjoy.


The Setonian
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'Diana' falls flat with sloppy script, dishonest characters

The greatest films give us what we need, not what we want. This distinction lies at the core of the some of the best films ever made - without it, Colonel Kurtz would have come home and gone to therapy, the issues of the Corleone family could have been solved over a spaghetti dinner and Jack Torrance would have written a great book. Audiences pay for what they want and seldom seek what they actually need. True to this pattern, Diana" attempts to give audiences only what they want, and as a result, is wholly underwhelming.


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'Kill Your Darlings' shines with captivating performances

The lives of the Beat Generation have been visited time and time again - not least by the Beats themselves - but Kill Your Darlings" sets itself apart as a lively look at the Beats' collegiate days and the violence and romance that defined their earlier years together. Propelled by captivating performances, director John Krokidas' first feature captures the depth and darkness of these characters, but unfortunately falls prey to the very conventionality that the Beats fought so fervently against.


The Setonian
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Hippie Chic' transports visitors to Woodstock era

The 1960s and 70s are characterized by the Woodstock generation pushing social and legal limits, rock 'n' roll's golden age and, as the Museum of Fine Arts reveals, a time of funky and colorful fashion trends. Hippie Chic," located in the museum's Torf Gallery for special exhibitions, is a testament to the fun and experimental fashions of that era. This exhibition caters to people of all ages and backgrounds, whether they are visiting the MFA on a whim or looking for a serious exploration of 1960s and 70s fashion.



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Interview: Diego Luna | Director of 'Cesar Chavez' talks newest project

While promoting his new film, Cesar Chavez," director Diego Luna met with the Daily for a roundtable interview to discuss the new biopic, which premiered on March 28. The film tells the story of Cesar Chavez, a labor leader, advocate for agricultural workers and founder of the National Farm Workers Association in 1962.



The Setonian
News

'Love Letters' is forward motion for Metronomy

Known for their lo-fi electronic jams and avant-garde fashion sensibilities, Metronomy, an English band hailing from Devon, recently released their fourth studio album, Love Letters." Coming off of the intense critical and commercial success of their third album, 2011's "The English Riviera," "Love Letters" is highly anticipated production. Luckily for the band, this latest album - with its highly stylized aesthetic and the unique color scheme featured in promotional materials - is a challenging experiment in electronic music that shatters any expectations.



The Setonian
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Event Review | Berklee BeanTown Jazz Festival marked by success

What has been referred to as Boston's biggest block party," the Berklee BeanTown Jazz Festival certainly did not fail to disappoint last Saturday in Boston's South End, marking its 13th year of bringing jazz, blues and groove acts to music fans. And with not one, but three stages, the event offered attendees a little taste of everything - the festival also featured an endless amount of activities and vendors.


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Fashion | Paris Fashion Week wows with Renaissance, Fauvist inspiration

Meryl Streep's Miranda Priestly character in The Devil Wears Prada" (2006) has, since the movie's release, become an iconic representation of the fashion world. Priestly coolly says in response to an editor's suggestion of a spring editorial focusing on florals: "Florals? For spring? Groundbreaking." Every designer struggles to find the balance between brightening up post-winter lines with floral accents and actually bringing revolutionary elements to their pieces without being overly avant-garde. 


The Setonian
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Exhibition Review | Harvard Film Archive exhibits visionary director's work

Chris Marker has long been known in film circles as one of the most delightfully enigmatic figures in French cinema. In the last years of his life, he didn't like to be photographed and would often distribute photos or cartoonish animations of his cat, Guillaume-en-Egypte, in his place. Despite this reclusive facade, Marker's films are strikingly personal portraits of his world as he experienced it. Marker died last year and the Harvard Film Archive (HFA) is honoring his memory by screening more than 30 of his incredible films through Dec. 16.


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Evan Kenward presents new version of the American road trip in debut book

As the last few months of school approach, it is common for college seniors to feel anxious about their futures. About to finally exit the college bubble and enter the real world, many of these students will find themselves at a crossroads that is simultaneous liberating and terrifying. Some may be taking more conventional routes, like searching for jobs or planning for graduate school, but others may choose to travel - to succumb to the allure of the open road.  In his debut semi-autobiographical novel, Young Wanderlust," University of Massachusetts (UMass) Amherst graduate Evan Kenward recounts his post-grad experiences traveling across the United States in search of that perfect road trip, that essential experience that, he says, defines the U.S. and its youth. The great American road storyAmericans have always loved a good road story. From Jack Kerouac's paramount "On the Road" (1957) to Hunter S. Thompson's "Fear and Loathing in Las Vegas" (1971), young Americans, hungry for adventure and trouble, set out searching for the greatest landmarks across these United States and, of course, for themselves. But with the changing narrative that the digital age presents, it can be hard for students to act upon their own wanderlust. Smart phones and social media make any landmark location visible via Google Maps and creating Pinterest boards of dream vacations is easier than actually getting a group of friends in a car and driving to those places. Yet Kenward says that this kind of cross-country exploration provides an education just as valuable as a four-year liberal arts degree."I think that it is essential to experience newness and go outside of one's comfort zone and see different parts of the country and the world," Kenward said of his motivations for traveling. "It's an education."To find out more, reading his book is a must. It recounts Kenward's angst after his 2008 college graduation: bored with his hometown and the security of central Massachusetts, and frustrated with how easily some of his friends had become homebodies after receiving their degrees, he decided to hit the road.Although Kenward studied abroad in Italy during his junior year of college, he still wanted to see more of what his native North America had to offer - and he also wanted his best friends to be a part of his trip."I truly believe that [the draw of] driving across [the] country in America has been written in our culture and DNA for a very long time," Kenward said.At the beginning of his journey in the novel, Kenward's attitude is perhaps typical of a recent graduate - he is equal parts arrogant and insecure. Rather than looking for a job, his biggest goal is to bring his best friends with him as they travel from the northeast to California to Canada and back again. Impulsive and moody, he focuses more on immediate pleasures than long-term success: "If there was one thing that college taught me, it was how to party," he writes.Therefore, if there is one thing that traveling across the country teaches him, it's how to see things in a new light and with an open mind. As the novel unfolds, he experiences a reinvigorated liveliness that comes from spending time on the road and talking to people from backgrounds vastly different from his standard suburban upbringing in New England. Inspiration strikesAccording to Kenward, he is influenced by a variety of artists, whether they be writers, musicians or visual artists."[I am inspired by] any artist that creates a production more than just [by those that stick] within their medium," he said, pointing to the unrestricted writing style of Dave Eggers and the pure showmanship and artistry of Pink Floyd as particular favorites.Like his diverse sources of inspiration, Kenward also incorporates a wide range of media into his own book. Rather than being a straight travel diary, the book features recipes and lists, as well