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Harvard professor Christopher Edley says ending racial discrimination not inevitable

Whether it be on a local or national scale, most would agree that the issue of affirmative action is one that is always likely to inspire intense debate. Tufts students were able to learn about and get in on the controversy this week, as Harvard Law School Professor Christopher Edley, Jr. spoke on the subject on Tuesday night in a lecture entitled "Affirmative Action: The Battle Over American Values and Dreams." A round table discussion with Edley also followed the next day.


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Students rally for gay pride

Nearly 80 students, faculty members, and high-ranking administrators gathered on the campus center patio yesterday to rally for gay rights. The event was the centerpiece of Tufts' celebration of national Coming Out Day, an annual showing of gay pride throughout the United States.



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No Boundaries' offers good music for a good cause

The small state of Kosovo no longer needs any introduction. The name is synonymous with images of thousands of fleeing refugees, horrific stories of human rights violations, and the most controversial American military intervention since the Vietnam War. The No Boundaries CD is a compilation of songs from some of the biggest names in modern music. All of the proceeds benefit the Kosovar refugees through organizations such as Doctors Without Borders, Oxfam America, CARE, and other charity groups.


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Run DMC to perform in Dewick/McPhie tonight

Run DMC will be the lead band at this year's Hip-Hop Show, which will be held tonight in Dewick/McPhie Dining Hall. Concert Board, which organized the annual winter event, has sold all but 20 of the 450 tickets for the event. Tickets cost $7, and have been on sale at the Information Booth in the campus center since the Monday before Thanksgiving.


The Setonian
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Tufts introduces new ID cards

This year's freshman class is the first to sport the new photo IDs created by Tufts' Department of Public Safety that were introduced this semester. Now, students' pictures are computer-imprinted on the cards, instead of affixing their Polaroid pictures to a laminated ID.



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Panthers set to prey on weak Southeast

Every sport has one. In football, its today's NFC East. In baseball, it is probably the American League Central (minus Cleveland). Basketball features an entire conference, the East.


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Hollywood hits the Hill

Actor Hank Azaria and singer-songwriter Eden White dazzled students yesterday during their return to campus to receive the 1999 Light on the Hill Awards.


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The Twilight Zone hits the WB network

Only once in a blue moon does one see a television episode that is as creative and daring as Sunday night's innovative episode of "Felicity." An homage to the popular and long-running show, "The Twilight Zone," the episode was shot entirely in black and white. The tribute is made complete by the inclusion of former "Twilight Zone" director Lamont Johnson. Felicity has sure had a rough year. Who can blame the lovesick girl? First, she has a falling out with the handsome Noel, then her relationship with Ben, the boy she followed all the way to New York, falls to pieces. And of course, everywhere she goes she sees her two ex-lovebirds. Noel lives with her best friend Elaina, and Felicity works with Ben at Dean & DeLuca, the oh-so trendy supermarket/coffee shop in New York City. Then there's that terrible, new, cropped haircut. No wonder the girl's feeling a bit under the weather. The show starts out with a morose Felicity looking out her dorm window, as the eerie "Twilight Zone" music plays in the background. Her weirdo roommate asks Felicity what's wrong. Felicity responds blandly, "It's just such a gray day." Felicity than asks Meghan what she has in that bizarre box she is always playing with. Meghan coyly responds with a terse, "Oh, you'll find out soon enough." Our little yuppie Felicity then heads off to Dean & DeLuca for her shift, only to find herself in the "Twilight Zone" version of the coffee shop, which only serves a good old cup of Joe. Once again, our lovesick Felicity ends up getting depressed when Noel comes in for a cup of coffee while Ben is cleaning the tables in the shop. Suddenly a bizarre lady walks into the shop and comments on how "lovesick" Felicity looks. She tells Felicity that she might be able to help her and hands her a card for the Love Clinic. She tells her, "For the incurable romantic, the clinic is the cure." Intrigued by this strange encounter, Felicity decides to give this Love Clinic a try. An omniscient narrator voice says, "Felicity Porter, making a phone call that will change her life forever." Felicity heads down to the clinic for what she thinks will be a consultation. She explains to the nurse in the reception room, "For some horrible, annoying reason, love matters to me. I just want this feeling to go away." The nurse leads Felicity into the doctor's office, where he proceeds to give her a physical examination and also makes her drink a cup of water. When he reaches down to draw blood, Felicity realizes that this is going too far and runs away as the doctors shout, "There's no need to be afraid!" Of course not. This is only the "Twilight Zone," we're talking about. While talking to her friend Elena in the library, Felicity starts to think she's going crazy when she sees a dead man. He tells her, "It's too late for me, but you still have a chance." Now Felicity's friends start surprising her. She confides in her friend Julie about the love clinic episode. Julie encourages her to revisit the clinic, responding by asking, "How do you think I got over Ben and you stealing him from me?" Determined to put an end to this craziness, Felicity pays another visit to the doctor. She accuses him of harassing her and disrupting her life. He tells her she sounds crazy (maybe he's not so off target, she did dump Noel after all!), and accusingly asks, "How do you know where truth ends and fantasy begins?" Confused, Felicity heads over to Noel's place for some comfort (and perhaps a little something more?). She asks him, "What if I am losing my mind?" With puppy-dog eyes she says, "I just wanted to feel better, to lose this emptiness in my heart." After pouring out her "heart" to him, she decides that she is going to report the clinic to the police. Noel agrees to go with her, but first heads off to the bathroom to change. As he takes off his shirt, Felicity sees that he has stitch marks where his heart used to be. Apparently, he has been to this love clinic also. Noel casually tells her, "This is the only way we're going to survive. Love, incredibly overrated." Suddenly, Felicity finds herself on the operating table where the doctor is making preparations to tear out her heart. They thrust her into a windowless, empty room, with Elena, Ben, Noel, and Julie. Felicity, a tad bit confused (wouldn't you be?), says, "But there must be some explanation." Ben replies, "Normal logic doesn't work here." Well, duh! Noel tries to be really deep and says, "What if we were never really people to begin with?" And Felicity, ever anxious to show off her intelligence, says, "All that we thought was normal before, maybe that was the dream." So, is this Philosophy 101 or a WB show? Felicity then proceeds to climb on her friend's shoulders, realizes the room was actually a box, and jumps out into the world beyond. It turns out that her creepy roommate Meghan is a witch, and she has somehow managed to shrink Felicity and all of her friends into miniatures and stick them inside her magical box. The narrator then says, "Not just any kind of box, a strange gray area, where what you want, what you need and what you'll be are forever in question. Felicity Porter in a place called college." Kudos to the producers of "Felicity" for creating an episode that actually has a message beyond the usual themes of these teen-oriented shows on the WB like "Dawson's Creek," and "Charmed." Even though the show can be cheesy and unrealistic at times (after all, what college student can afford a loft in Soho?), this fun and entertaining episode demonstrated the show has a clear direction and an original vision.


The Setonian
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Book Celebration honors Tufts faculty publications

The air was full of camaraderie and reciprocal praise, as faculty members filled the Coolidge Room in Ballou on Tuesday evening. Dec. 7 marked the second annual Dean's Book Celebration, a small reception with a fairly large collection of recent faculty publications displayed for the academics attending the event to view. "For us, this is one of the most important parties because it recognizes our publications," said Dean Leila Fawaz, one of the event organizers. The inaugural event took place last fall, when faculty members at both the College of Liberal Arts and the College of Engineering were invited for the first time to see their peers' accomplishments outside the gates of the University. Roselle Levey, who worked with Fawaz this year on the planning of the event, noted the support it garnered last year. "It was so very popular last year that we decided to do it again," Levey said. At this second Celebration, there was an aura of decadence and the food was divine. While enjoying stuffed mushrooms, hors d'oeuvres, and an assortment of pastries, faculty members milled around the room chatting, reacquainting, and congratulating each other. Amid the talented schmoozers stood the embodiment of their accomplishments - a table which displayed over 60 books, most of which had been published between 1997 and the present, along with a collection of books that will be published in 2000. Levey explained that all of the faculty members were asked to identify and contribute books that they had worked on and published since the reception in 1998. Some of the earlier published books that had not been available last year were honored this year. While some books such as Professor Peter Winn's Americas, The Changing Face of Latin America and the Caribbean were directly related to the courses that the faculty teach, others had a more outside and personal focus. Michael Dowling, a creative writing professor, was one such author. He published a fictional book of his own entitled Breakfast with Scott. Professor George Norman edited an in-depth, advanced economics book entitled The Economics of Price Discrimination, full of complex graphs and equations. It was placed right next to a large collection of Prentice Hall Science books for children, co-authored by engineering professors Martha Cyr and Ioannis Miaoulis. These books included titles from Animals to Weather and Climate, and contained exciting pictures and activities for younger students to enjoy. While all of the books at the reception seemed to be very different from one another in content, they all had something in common. Each embodied the dedication of a professor who had completed a work in addition to other commitments at Tufts. "It is an outgrowth of what I do. Normally, in my subject, writing books is not a main focus, it is secondary as a general rule," psychology Professor Julio Garcia said about his book, which is a recently published teaching instrument. While most of the attendees will attest that writing a book is a difficult task, it is well worth it when the work is honored in either a forum like this or by an outside honorary organization. Three of the books have recently received various awards. Professor Jane Bernstein, who just published her book Music Printing in Renaissance Venice, The Scotto Press (1593-1572) was given the Otto Kinkeldy Award of the American Musicology Society (AMS). This award is given annually the most distinguished book published by an American or Canadian member of the AMS. Bernstein worked on her book, which was 18 years in the making, while teaching, holding the department chair, and raising a family. In October, at the annual meeting of the 16th Century Studies Conference, Professor Cristelle Baskins won an honorable mention for her book Cassone Painting, Humanism and Gender in Early Modern Italy. Professor Jeffrey Berry, author of The New Liberalism: The Rising Power of Citizen Groups was awarded the 1999 Aaron Wildausky Award earlier this year. With so many individuals to honor, this celebration is certain to remain a tradition. "It's a nice way to show appreciation for all of their hard work," Levey said.




The Setonian
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We all live in a re-released yellow submarine

It is actually very easy to capture the essence of Yellow Submarine, the Beatles 1968 animated motion picture in one word: colorful. The word fits the film in so many ways. The re-released, newly re-mastered film, playing all week at the Brattle Theater in Harvard Square is not just visually colorful. No, this simple adjective represents it all: the absurd plotting, the cornball jokes, the beautiful music, and the complete abandon with which the filmmakers approached its creation. In short, it is pure fun. If Andy Warhol, Dr. Seuss, and Monty Python all went to a party, got really drunk and made an animated musical comedy, they'd get something along the lines of Yellow Submarine. Rarely can one find a movie that so powerfully emanates such unadulterated joy. In this dreary world so full of pain and anger, you can't afford to miss something as cheerful and inspiring as this.


The Setonian
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Impressive performances and powerful story light up the screen in 'Light It Up'

Light It Up is most comparable to the adolescent hit movie The Breakfast Club. This film, however, is set in a neglected high school in Queens, as opposed to a sunny suburban school. Produced by Tracey Edmonds, this film exhibits the many dynamics found within today's youth. The group of high schoolers we meet consists of a student council member, a punk rocker, a hustler, a star basketball player, a gangbanger, and a gifted artist. All of these students band together and take over the school, looking to find a voice in a world that otherwise trivializes their needs and desires.


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Fox thins the writing on 'Ally'

It was sad enough when Calista Flockheart starved herself into twig-hood, but now it seems Fox is skinning the meat from the once-innovative series AllyMcBeal and replacing it with tasteless flesh. Once upon a time, there existed a series robust enough to contain comedy, drama, romance, philosophy and social issues. It pushed the envelope in ways no other show dared, using a courtroom theme to put major issues on trial: everything from political correctness to sexual harassment, childhood romances to society's over-idealized, oversimplified image of love. Women and men alike could identify with Ally's angst-ridden quest for self-knowledge and self-esteem, flanked by a quirky cast of characters that never managed to become cliches. Then the show slowly began to starve itself. Characters threatened to become nothing more than the sum of the quirks that made them interesting. When first introduced, John Cage, a.k.a The Biscuit, provided one of television's rare views of an sexually confused heterosexual man, a sensitive and complex character who fell short of the masculine ideal but always resisted falling into the "nerd" bin. Over time, the show bled the depth out of The Biscuit, sinking him into a flat tasteless pastry composed of little more than gags involving toilets, frogs, and nose whistles. Georgia, the beautiful and talented but insecure wife of Ally's childhood sweetheart, used to struggle with her immature husband and attempt to reconcile her friendship and her rivalry with Ally. Before long, Georgia barely saw any airtime at all, practically reduced to cameos. Even Ally used to be an intensely thoughtful, introspective character whose inner monologues framed the course of each show's events. Soon she became quirkier, brattier, less connected with reality and someone with whom we identified less as a protagonist. The law firm's cases slipped from cutting edge to sensationalistic. Yet, glimmers of hope (and good writing) persisted all last season. Plot lines ranged from Biscuit's unwieldy romance with dazzlingly attractive Nell (who grows both frustrated and intrigued as he runs from her sexuality) to Ally finally attempting an affair with her now-married ex-boyfriend Billy, only to have all involved deal with the very real consequences over several shows. The writing even continued its tradition of dabbling heavily in "metafiction," plot and dialogue that actually served as a commentary on the show itself. No such luck in the third season's opener. Ally, after two seasons of struggling to find the ideal romance everyone tells her doesn't exist, decides this episode to make love with a random man in a car wash. The incident, completely out of character, provides wet and steamy clips that run again and again in gratuitous flashbacks. This from a show that used to preach feminist values? Well, men get their chance to be objectified too. This occurs in a nonsensical subplot in which Ally's roommate Renee and recurring guest character Whipper Cone (a strong female judge who now suddenly and implausibly demotes herself to lawyer) start their own law firm and demand all male applicants take off their shirts during the interview. Even if one accepts this requirement as kosher (far weirder things have happened on this show), and that interviewees are built like Fabio, the ogling scenes are clearly nothing but eye-candy. Of course, female fantasies (heterosexual ones, anyway) are a theme for the episode. In a subplot that never gets resolved, Biscuit is indignant and astonished that Nell fantasizes about other men. In the main plot, Ally convinces a minister (played phenomenally by Roy "My Favorite Martian" Walston) to perform a wedding ceremony despite the bride-to-be's last-minute bachelorette "fling." Her husband, it seems, didn't satisfy her sexually. The moral: Women should be allowed to have their kicks, too. The problem: Ally discovers the groom-to-be is the man she hooked up with in the car wash. Suddenly, it's time to stop the wedding again, apparently on the grounds that (now stay with me here) since the groom was such a good lover to Ally in the car wash, and such a poor lover to his fianc?©e, this is surely a sign he is marrying her for her money and the wedding should be cancelled. Puh-leeze! That's as thin as Flockhart herself. A castaway line from Ling (the sardonic Asian, who is blissfully as biting as ever) says it better: "[Ally] feels upstaged by the bride and this is a way to make [the wedding] about herself." Ally wrecking other people's lives to service her own twisted morality is nothing new. Not exploring the full ramifications of those actions is a tragic departure. A season ago, the characters would have engaged in intense debate about the kind of passion one feels in fantasy versus the kind of passion shared in a long-term relationship. The threat of boredom and the desire to have one's self-esteem reaffirmed would have been examined. Instead, we get more replays of the Ally sex scene, along with previews for next week's show that promise "the most hauntingly erotic sequences ever filmed on television." If I wanted that, I could watch any of Fox's usual sex-fests that never claim to be great cinema. Ally McBeal used to be far more. Is Fox spurning me to court the voyeur crowd? Lord, I hope not. Perhaps this episode was a fluke, and the provocative plots will return. A show that two seasons ago dared to have Ally say "happiness is overrated," questioning the entire American quest for love and fulfillment, is destined for greater things than evening soft porn. Leave the nutrition-less eye-candy to Fox's other anorexic heroine, Jennifer Love Hewitt, and put the meat back in Ally McBeal. Or, in language that network marketing execs will understand: shape up, or viewers like me will start "searching our souls" (as Ally's title song goes) and searching the channels for something better.


The Setonian
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Tufts alum creates poetry in motion

On Monday night, one of the double Jeopardy answers was "A patch of grass or a university in Medford, Mass." As spirited Tuftonians screamed "Tufts," they wondered if this prime-time television moment would become the school's claim to fame. Though many realized that this probably wouldn't be the case, they found comfort in the fact that Tufts has many things to pride itself on, many of which are posted on a new website devoted to the memoirs of one extraordinary Tufts alumni, John Holmes.


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Fall Fest rocks the house

Four hours of music, Tufts students rapping, and free stuff on the Quad were only some of the reasons Fall Fest '99 was a tremendous success. Though only a couple hundred students came to listen to the musical mojo of Naughty by Nature, David Garza, and Tufts band Joe Deveau, all in attendance greatly enjoyed themselves on what might be one of the last warm days of the fall.



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Women finish 11th at Nationals

There is now no doubt that the Tufts women's cross country team is not only a power among the New England Division III teams, but among the nation's top teams as well. The team placed 11th out of 24 schools at this Saturday's National Division III Championships in Oshkosh, Wisconsin. Leading the way for the Jumbos were seniors Cindy Manning (17:32) and Caitlin Murphy (17:40). Manning and Murphy, who finished 22nd and 34th, respectively, will be honored as All-American athletes for finishing in the top 35. Junior Leslie Crofton (17:56) crossed the finish line shortly after Murphy. Crofton, who ran with Murphy for much of the course, was able to finish in record time despite taking a fall during the race. Sophomores Heather Ballantyne (18:51) and Jennifer Edelmann (18:55), junior Molly Hobey (18:59), and senior Tiffany Davis (19:03), along with Manning and Murphy, all raced their personal best times. "We all peaked at the right time," Edelmann said. One of the Jumbos' greatest advantages this weekend was their relative anonymity. Although both Manning and Murphy have been to Nationals in the past, the team as a whole has never gone that far. Its performance in last weekend's qualifier at UMass-Dartmouth marked the first time this season that the Tufts women showed themselves to be a division leader as opposed to just a strong team. Since it was the first National Championship for five of the seven women, there was a possibility of choking among the toughest competition in the country. However, these Jumbos not only managed to keep their heads in the game, but also to exceed all expectations. "At first people doubted that we could hold it together," Murphy said, "but we proved that we could do it." Going into the race, Tufts was ranked 16th in the nation. Other than national prominence, the Jumbos were also competing for another distinction - if Tufts, as well as NESCAC teams Williams and Middlebury, all finished in the top 16 at Nationals, the NESCAC would earn a fourth spot to next year's Nationals. The Jumbos knew that they could expect more from themselves and set their goals higher. Their 11th place finish not only displayed the team's strength, but it proved the strength of the New England region as a whole. "Our team focused and performed," coach Branwen Smith-King said. "We represented the New England region." The women's performance, although a result of the team's mental toughness, was also furthered by the support it received from having the men's team with them in Wisconsin, along with the support of the many non-running teammates who either flew or drove out to Wisconsin to cheer their teammates on. Perhaps one of the greatest aspects of Saturday's performance was the way in which seniors Tiffany Davis, Cindy Manning, and Caitlin Murphy were able to end their final cross country season at Tufts. Davis, who was abroad last season, was able to grab a top-seven spot for herself at the ECAC Championships on Nov. 8. She went to both the qualifiers and to Nationals, proving to be an invaluable asset to the team. From the beginning of the season, Manning has led the team in every competition. She consistently challenged her teammates to match the strength and determination that allowed her to earn the honor of All-American. Murphy, who was suffering from injuries in the beginning of the season, was able to pull it together and with the support of her teammates, earned the distinction of All-American as well. "These girls have worked so hard and sacrificed so much," Smith-King said. "They deserve this in their senior year." Fortunately, Crofton, Hobey, Ballantyne and Edelmann will be able to bring their experience and taste of Nationals to next year's team. The team has definitely earned a new respect in its region, as well as nationally. These women have much to celebrate. "We're psyched to go back, to do it again and to do it better," Ballantyne said.


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Men's cross country upsets MIT at Tufts Invitational

In what should prove to be a spark for its post-season run, the men's cross-country team defeated rival MIT at Saturday's Tufts Invitational. The home meet, featuring MIT and Swarthmore, displayed the significant improvement the team has undergone in the last few weeks.