The Tufts Daily

The winning project on the Medford/Somerville campus was Mia Nixon’s “FlowGreen at Tufts," Kevin Cody and René LaPointe Jameson won with “Tufts Hydroponics Collaboration” on the Boston Health Sciences Campus and “Disposable Mask Recycling” by Juliette Nye received the Grafton campus funding.

In light of the Black Lives Matter movement and protests that occurred over the past summer, several Tufts faculty and staff members founded the Tufts Action Group (TAG) to advocate for a strengthened community that supports black, indigenous and people of color (BIPOC) across Tufts campuses.

Hailed as one of the trailblazers of the “Taiwanese New Wave,” Edward Yang’s films put the spotlight on a country underpinned by rapid economic growth, globalization, urbanization and political liberation. As a narrative artist, Yang’s genius lies in his portrayal of how these changes distill into every aspect of life.

Hank Azaria (LA’87), an Emmy Award-winning actor and comedian, addressed the Tufts community on Friday as part of the Jonathan M. Tisch College of Civic Life’s Distinguished Speaker Series, in the last event of the semester. The discussion was moderated by Dean Jim Glaser.

In light of COVID-19, The Moth’s virtual programs continue to foster emotional bonds between people through its broadcasting of the most personal, moving and vulnerable stories.

Stephen Kurkjian, a Pulitzer prize-winning journalist and founding member of the investigative “Spotlight” team of the Boston Globe, spoke to the Tufts community on Oct. 29 in an event entitled “Free Press: Enemy of the People or Democracy's Lifeblood." It was co-sponsored by Tufts’ Osher Lifelong Learning Institute and the Jonathan M. Tisch College of Civic Life.

Mike Eagle’s latest album, “Anime, Trauma and Divorce” (2020), as its title suggests, is his most vulnerable one yet. Each of the three elements occupies a unique place in the album and culminates in an admirably personal tale of loss, confusion and anguish. 

Divided into a keynote address and three panel discussions, the conference focused on the Orthodox Church in Ukraine, and issues regarding geopolitics, pluralism and security in the country.

Terming a hybrid body of work, which includes scientific writing using literary metaphors and literature importing science to explore the psyche, as “nervous fiction,” the book asks important questions about the relationship between the body and the mind, between “rational” scientific inquiry and literary expression.

Laird began the conversation by playing a clip from the television series “Black-ish" (2014–), and asked the audience to consider why the characters featured, despite having different leanings on social issues, dislike the Republican Party.