Tommy Gillespie

Tommy Gillespie is an Arts & Living editor at the Tufts Daily. He is a junior majoring in English. Tommy can be reached at thomas.gillespie@tufts.edu.


‘Operation Finale’ squanders its history

The first impression that “Operation Finale” (2018) gave was that it has a Hollywood problem. Or maybe a history problem. Or perhaps a little bit of both. Regardless of semantics, it definitely has a problem. The Nazi-hunting thriller, produced by and starring Oscar Isaac, is a perfectly serviceable addition to the long line of similar […]


Seniors reflect on time in Tufts performance groups

Venture onto any Tufts athletic field toward the end of the spring semester, and you are likely to encounter a Senior Day celebration. Complete with flowers, parents, balloons and occasionally tears, these festivities serve as both a long-awaited culmination to seniors’ athletic careers at Tufts and a bittersweet send-off. At Tufts, however, this type of […]


Do it this Weekend: April 26-29

In addition to the Spring Fling weekend festivities, there are a number of things to do on campus this weekend. Be sure to check them out! FRIDAY “Movie Night: Moana” Details: Come see the hit animated film about a girl who goes on an adventure to protect her island this Friday. The event is free, and snacks will […]


‘Belle de Jour’ is a sultry portrait of its time

In May 1968, a nationwide general strike led by students and factory workers crippled the French economy and plunged the nation into a state of chaos. The situation reached a boiling point by May 29 when, fearing another revolution, President Charles De Gaulle fled the country to Germany, leaving the country without a leader for a […]


‘Unsane’ is an eerie, effective thriller shot on iPhone

If, as director Steven Soderbergh claims, films like “Unsane” (2018) are the future of cinema, then we can expect the movies of tomorrow to be atmospheric, seedy, chilling — and pretty good. Shot entirely on an iPhone 7 Plus, “Unsane” follows 20-something businesswoman Sawyer Valentini as she finds herself involuntarily committed to a mental hospital, where […]


3Ps’ ‘Red’ plunges into the mind of Mark Rothko

Visionary 20th-century artist Mark Rothko once claimed, “Art is an adventure into an unknown world, which can only be explored by those willing to take the risk,” in a letter to the New York Times written with artist Adolph Gottlieb. Indeed, American playwright John Logan’s “Red” (2009), which is being performed on Balch Arena Theater by 3Ps (Pen, Paint, and […]


‘Three Billboards’ hurtles toward Oscar controversy

Coming off its Venice premiere in September (where it received a standing ovation), “Three Billboards Outside Ebbing, Missouri” (2017) received a flurry of early awards season buzz. Critics heaped their initial praise on its timely themes — violence against women, corrupt police and casual small-town racism — its gallows humor and its raw, mesmerizing performances, […]


‘The Insult’ is a compliment to its artists

On a sunny afternoon, two strangers get into a dispute on a Beirut street. Choice words are exchanged, and egos are bruised. Later, when the two men seek to resolve the situation, tensions flare up and their dispute escalates into a fistfight. Straightforward, right? Well, when the parties in question are a Christian Lebanese citizen […]


‘The Final Year’ effectively wraps up Obama’s foreign policy legacy

Throughout most of Greg Barker’s “The Final Year” (2017), a documentary tracking President Obama’s foreign policy team during the last twelve months of the administration, the ongoing presidential election is largely relegated to the background. President Donald Trump’s nomination at the Republican National Convention is only briefly glimpsed on a West Wing TV, while a secretary […]


Campus comedy groups creatively approach Tufts political climate

As Craig Drennan and Jess Silverman, now co-editors-in-chief of Tufts’ comedy magazine The Zamboni, watched the election unfold in horror on Nov. 8, 2016, they decided they had to come to terms with what they had just seen in the best way they knew: with their unique brand of absurd comedy. “By 2 p.m. the next day, […]


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