Jack Clohisy

Jack Clohisy is an Assistant Arts & Pop Culture Editor at the Tufts Daily. He is a junior studying computer science and cognitive and brain science with a minor in English. Jack can be reached at [email protected]


Resurrection of the music scene: The summer 2021 roundup

After the tumultuous, pandemic-enwrapped cacophony that was 2020, musicians had to navigate the ever-changing music industry during the long months of quarantine. Summer 2020 saw some of the best works imaginable: “Chromatica” (2020) from Lady Gaga, the Album of the Year-winning “Folklore” (2020) by Taylor Swift and Phoebe Bridgers’ sophomore LP “Punisher” (2020), just to […]


Demi Lovato breathes life into ‘Dancing with the Devil…The Art of Starting Over’

Less than three years after her hospitalization for a drug overdose in 2018, Demi Lovato has returned to the studio stronger than ever with her April 2 release, "Dancing with the Devil … The Art of Starting Over" (2021). An album filled with empowering highs and heartbreaking lows, Lovato paints the trauma and recovery she’s endured since her hospitalization as a reawakening. She stakes a claim in her story, negating the tabloids and lies circulating in the media as a result of her hospitalization.


‘Life Support’ resuscitated by its singles, wounded by the rest

"Life Support," released on Feb. 26, was Madison Beer's album introduction into the pop soundscape. Unfortunately, Beer’s newness to a full-length project is evident; her songs reflect all that is prominent in trending songs today: mediocre songwriting, catchy-but-generic instrumentals and a lack of artistic direction.


With the pen as her sword, Taylor Swift continues to sharpen ‘Evermore’

Swift dives deeper into herself and pulls from her ever-expansive imagination to bring forth her most creative project yet.


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The Weekly Rewind: 30 years later, audiences still ‘Obsessed’ with Mariah Carey

Aided by her recent collaboration with pop superstar Ariana Grande and a viral dance challenge to her song “Obsessed” (2009) in 2019, Carey could accomplish the extraordinary: a second comeback.


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The Weekly Rewind: The case for ‘folklore’ as Album of the Year

The nominees for the 63rd Annual Grammy Awards were announced Tuesday, Nov. 24, and of all the nominations, one body of work outdoes the competition: "Folklore" (2020) by Taylor Swift.


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The Weekly Rewind: Should we separate musicians from their music?

Gabby Barrett and Charlie Puth’s duet “I Hope” (2020) reached No. 3 on the Billboard Hot 100 this week, a feat for Barrett, an “American Idol” alumna. However, during a politically divisive time, it is important to bring to light Barrett’s public support for President Donald Trump. As a musician with a massive influence, Barrett’s political stances are disappointing.


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The Weekly Rewind: Bundles be gone!

Billboard announced in July that it would no longer allow “bundles,” or the grouping together of merchandise and concert tickets with an album to increase sales. This decision, which went into effect on Oct. 9., was controversial, since artists often use bundles to ensure chart-dominating performances even with lackluster tracks and albums.


The Weekly Rewind: Music or sport?

Is going No. 1 on the U.S. charts something artists should strive for when making music? The short answer is no. This damages the intent and quality of music and the relationship between an artist and their fans.


The Weekly Rewind: The problem with No. 1 debuts in the streaming era

The increased rate of No. 1 debuts can be attributed to the decline of the physical sales era that came with the prevalence of streaming services. As a result, debuting at No. 1 no longer holds the same merit as it did back in the 1990s when the first few top debuts occurred.


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