Bram Stoker’s “Dracula” (1992) is as much an anachronism as its title character. Directed by cinematic legend Francis Ford Coppola — whose storied filmography includes the oscar-winning “Godfather” films (1972, 1974 and 1990) and the Vietnam-era epic, “Apocalypse Now” (1979) — the film features an all-star cast, sprawling sets and a meticulously constructed turn of […]
I have noticed a common notion that fantasy and science fiction are easy genres to write for, simply because it comes down to making things up as you go. I would argue, though, that it carries the unique challenge of not just rounding out a character, but finding them a place in the strange world you create.
“Geiger #1” feels like the beginning of something huge, a cutting-edge blend of superhero comics, science fiction, fantasy and post-nuclear fiction that manages to excite, depress, thrill and intrigue. Plus, it's stitched together by some of the biggest and best names in comics. The book also cements Image Comics as the premier destination for creator-owned books and larger-than-life ideas.
The story opens with Reed Richards speaking at a “TED Talk” analog at “Singularity 2010,” which seems to be going well until Reed seems to go off-script. He begins to berate his fellow scientists, proclaiming, “You fear tomorrow.” As such, Reed decides to form the eponymous “Future Foundation”: a collection of young and brilliant minds from around the Marvel universe to solve the problems of the "tomorrow" that his colleagues supposedly fear.
Miller’s run on the titular character was nothing short of revolutionary, so much so that in his first issue as the book’s auteur, he created Daredevil’s recurring love interest (and now a hugely popular character in her own right), the deadly assassin, Elektra. One issue that sticks out is #191, “Roulette."
The key lies in the main appeal of a streaming service: convenience. This explains the proliferation of streaming services, as more and more media conglomerates see the success of Netflix (with its more than 73 million users in the United States alone) and decide they can cut out the middleman and release their content on their own services.
"The City Saga" really is a breath of fresh air for a superhero comic, allowing for moments of calm reflection and study. The climate feels less like our heroes are spoiling for a fight; rather they’re acting as anthropologists attempting to understand a unique pocket of their strange and wondrous world.
With the semester winding down and my number of columns growing slim, we’ll be accelerating the pace somewhat and running through a few issues in rapid succession. But first, here is one more single-issue week to transition us into a speed run of the rest of Hickman’s saga.
The first issue of “Brzrkr” is the comic book equivalent of a Rorschach test. To some, the Keanu Reeves-penned book (yes, that Keanu Reeves) will read as a charming attempt by a celebrity to break into a new medium. Others will see the Kickstarter-funded venture as Sal of comic review channel “ComicPop” put it on his Instagram, “the most blatant movie series pitch in comic book form I've ever seen."