Christopher Panella
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Christopher Panella is an Executive Social Media Editor and an Arts Editor. He is a junior double-majoring in Film and Media Studies and English. He can be reached at christopher.panella@tufts.edu.


The Arts Section Presents: 2010s in film

The 2010s saw cultural milestones for film. Disney dominated big-box film — in 2015, Disney and Lucasfilm began the epic third trilogy of the “Star Wars” franchise (1977–), while Marvel dropped a whopping 21 films in the Marvel Cinematic Universe, including four “Avengers” movies that mark the beginning and end of an era of Marvel […]


The best albums of the decade

Three arts editors came together to decide on their top 10 best albums of the decade — no easy task when the 2010s have spanned music from artists like LMFAO to Billie Eilish. Christopher Panella’s list Honorable mentions: “Plastic Beach” (2010) by Gorillaz, “Trouble in Paradise” (2014) by La Roux, “Emotion” (2015) by Carly Rae […]


Tinashe is both sharp, vulnerable on ‘Songs for You’

Tinashe has always released good music — she’s a consistent talent with a variety of releases including independent mixtapes, multiple studio albums including her strong debut “Aquarius” (2014) and the enjoyable (but missing something) “Joyride” (2018). But that was the previous Tinashe; there’s something different about 2019 Tinashe. That difference is felt throughout her new […]


‘Sword,’ ‘Shield’ are most balanced, exciting Pokémon games in years

Nintendo is back with “Pokémon Sword” (2019) and “Pokémon Shield” (2019), the latest installments in the iconic role-playing game series. The eighth generation games have already seen plenty of success; they’re the fastest-selling Nintendo Switch games ever, with 6 million copies sold in their launch weekend alone. And despite the games’ release being clouded with […]


Shults talks writing, directing ‘Waves’

Premiering at the Telluride Film Festival this past August, “Waves” (2019) is a detailed study of a black family in South Florida — father Ronald (Sterling K. Brown), stepmother Catharine (Renée Elise Goldsberry), daughter Emily (Taylor Russell) and son Tyler (Kelvin Harrison Jr.). Directed and written by Trey Edward Shults, the film navigates various aspects […]


Burns, Jones discuss making ‘The Report’

“The Report” (2019) follows Daniel J. Jones (Adam Driver) and his investigation into the “enhanced interrogation techniques” — a softer, more cryptic term to describe systematic torture — that the Central Intelligence Agency (CIA) employed following the Sept. 11 attacks. Based on Jones’ real experience with the “Senate Select Committee on Intelligence Committee Report of […]


‘Portrait of a Lady on Fire’ is slow-burning excellence

This review contains spoilers. Shown by the Independent Film Festival Boston during its fifth annual Fall Focus at The Brattle Theatre, “Portrait of a Lady on Fire” (2019) is a meticulous film. Following Marianne (Noémie Merlant), a painter, as she is hired to paint a portrait of Héloïse (Adèle Haenel), a woman being married to […]


‘Parasite’ disarms before dealing final blow

This review contains spoilers. There’s a sense, when things are going far too well, that something bad is coming. It could be the calm before the storm. The anxiety of life being too good to be true is similar; the idea of everything going right can’t exist without the acknowledgement that something will eventually ruin […]


‘Jojo Rabbit’ is effective satire, but feels too safe

While watching “Jojo Rabbit” (2019), the audience is asked to laugh at — and sometimes, along with — the film’s main character, Jojo “Rabbit” Betzler (Roman Griffin Davis). Jojo is a devout Adolf Hitler lover, a child who absolutely adores and idolizes the Nazi Party. His room is full of Nazi propaganda. He attends a […]


Eggers talks mythos and making of ‘The Lighthouse’

Following two lighthouse keepers — the younger, mysterious Ephraim Winslow (Robert Pattinson) and the older, slightly senile Thomas Wake (Willem Dafoe) — “The Lighthouse” (2019) is a slow-burning descent into madness that’s thrilling to watch. It’s a fresh film that feels handmade, original and is thought-provoking. “The Lighthouse” was born from director Robert Eggers’ love […]


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