One thing Jack Johnson is always good for is consistency. Listeners will rarely hear him suddenly changing his sound Johnson avoids pulling a Miley Cyrus, who dramatically evolved over the past five years from her Hannah Montana The Best of Both Worlds (2006) days to her new, edgier single Wrecking Ball (2013). And although drastic change can sometimes be exciting, Johnsons steady style is far from boring. On his new album, From Here to Now to You, Johnson manages to put the perfect amount of spin on his classic acoustic sound to keep things interesting. Indeed, the listener gets a little taste of everything on his sixth studio release.
In a recent interview with Billboard Magazine, Johnson claims he hasnt intentionally tried for these subtle changes instead, his music develops somewhat spontaneously.
I never really have an idea of what the record is going to be like, Johnson said. Theyre really just a collection of the songs Ive written over the last year. Every one has been like that.
From Here to Now to You wouldnt be a Johnson album without its fair share of ballads and slow tunes. The track Dont Believe a Thing I Say is reflective of Johnsons traditional slow, laidback and almost melancholic sound. Though certainly not upbeat, it still manages to keep audiences hooked until the last note. Following suit is Never Fade. With steady drums pressing along throughout and an almost perfect amount of lackadaisical rhythm, this song is right on par with many of Johnsons previous pieces.
I Got You, the first single from the album, definitely isnt the best track (perhaps a ploy by Johnson, so as not to give away the good stuff at first). It is, however, very typical Johnson, assuring his fans that this newest album, while straying slightly from the norm, will still satisfy the Jack Johnson craving for which his diehard fans are searching.
Perhaps the most innovative work on the album, Tape Deck, with hints of country, brings out a side of Johnson weve never seen before complete with a banjo and harmonica. Even more surprising than this different style is Johnsons ability to rock it. Most listen to his music for its relaxing and tranquil qualities, but this change certainly isnt a bad one. Its not often you find yourself snapping along to Johnsons tunes (though there are a few exceptions, like his 2005 song Banana Pancakes), but once you start, you wont be able to stop.
He takes another abstract turn on You Remind Me of You, which contains jazz-like elements. Johnson utilizes an acoustic sound only to emphasize the jazzy undertones. Its not often you hear Johnson humming out runs and ba doop ba doos. Quite honestly, one wouldnt expect him to have success in that genre, but once again, he makes it work.
By far the most interesting aspect of Johnsons music is his ability to combine a slow beat with a relatively cheerful tone. Usually when slowing down the metronome, artists lose the energy needed for a positive song however, Johnson manages to keep it balanced, especially on the albums closing track Home.
Overall, Johnsons new album is an enjoyable listen. Even if you purchase From Here to Now to You just to add to your sleep playlist, it is well worth the investment. It will be interesting to see if Johnson decides to continue this trend toward more upbeat music. Who knows maybe hell even consider losing the guitar someday (though thats a bit of a stretch). In any case, his latest albums debut at number one on the Billboard charts proves that fans are more than willing to follow Johnson as he explores new sonic territory.