Content warning: This article mentions sexual assault.
The hit coming-of-age show returned this month for its long-awaited third season, and it’s as emotionally gripping and sexually informative as ever. Season 2 of “Sex Education” (2019–) saw the exit of Headmaster Groff (Alistair Petrie), the growth of the rift between Maeve (Emma Mackey) and Otis (Asa Butterfield) and Jean’s (Gillian Anderson) discovery of her pregnancy. Season 3 of “Sex Education” finds many of its characters readying themselves to explore their individuality and desires as single, young adults in their final year of high school. Moordale Secondary School’s new headmaster, Hope Haddon (Jemima Kirke) rebrands the school, implementing strict rules and regulations against sex transparency and positivity.
The love story between Otis and Maeve takes a much-deserved backseat to the plethora of characters that were introduced and expanded upon last season. Maeve grapples with the absence of her mother and her growing feelings for Isaac (George Robinson), which unfortunately was the least enticing aspect of this season. Their chemistry is apparent, but viewers may find it grueling to take much interest in their on-screen time. Maeve’s trajectory in general seems to have run its course this season, at least in terms of its appeal in comparison to less-developed characters, like Ruby (Mimi Keene). Otis’ brief relationship with Ruby is far more compelling than the overstretched romance he has had with Maeve. With the help of Otis and her friends, Ruby learns to open herself up to the possibility of love. Viewers will especially notice their growing affection for Ruby in her absence from the final episodes.
Adam (Connor Swindells) and Eric’s (Ncuti Gatwa) relationship is perhaps the most layered this season. Their connection is not easy for Eric, whose story feels more rushed than in the past but still stays true to his desire to explore his individuality more. Adam grows tremendously in their relationship, and his progression as an openly gay man is both beautiful and heartbreaking. Thankfully, his unexpected friendship with Ola (Patricia Allison) from last season remains strong and helps him work through more of his traumatic responses.
Despite the show’s obvious focus on sex and romantic relationships, the friendships established over the last two seasons are ultimately the underlying draw of the show. This season is no different, testing Aimee (Aimee Lou Wood) and Maeve’s friendship as each handles her own struggles including sexual assault, financial trouble and relationship issues. Aimee and Maeve’s connection nevertheless remains one of the strongest and most fun dynamics on television right now.
Viv (Chinenye Ezeudu) and Jackson's (Kedar Williams-Stirling) friendship suffers under the pressure of Headmaster Hope’s new restrictions, but each is able to grow and better develop their own values with the help of a new transfer student, Cal (Dua Saleh). Identifying as nonbinary, Cal runs into conflict with Headmaster Hope over the new gender-driven rules. Not to mention, Cal’s American accent is a fun addition to the many English accents in the show. Unfortunately, their screen time seems less about purely developing them as a character and more about pushing Jackson and Viv to where the writers wanted them to end up.
Surprisingly, one of the most unlikely duos elevates this season like no other: former Headmaster Groff and Mr. Hendricks (Jim Howick). Awkward and standoffish, Groff finds himself learning to reflect and be better this season, in part thanks to Hendricks’ exuberant kindness and bubbly personality. As he and other characters show Groff some kindness, Groff is able to process multiple levels of trauma in his life and apologize to his soon-to-be-divorced wife, Maureen (Samantha Spiro), but unfortunately, not his son, Adam.
While the lovable characters are still at the center of the show’s appeal, the cinematography and soundtrack remain top notch. From each episode’s introductory scene to transition shots, the signature camera filter captures Moordale’s beautiful countryside through creative camera work. The show’s choice of music is crucial in its ability to immerse the viewer in a world filled with teenage angst, heartache and lots and lots of raging hormones. Each season has succeeded in matching heartfelt scenes with indie songs, nostalgic beats and powerful lyrics, and Season 3 is no different. Indie-alternative artist Ezra Furman continues to carry the soundtrack on her back, singing several more songs featured in this season, accompanying and elevating some of the most emotionally satisfying scenes.
Ultimately, Season 3 suffers a similar phenomenon to other coming-of-age shows that begin to stretch their lifespan. While there are plenty of compelling, new storylines this time around, several of them seem to be grasping for emotional straws. Nonetheless, viewers may have first come for the sex advice but have likely continued watching for the amazing performances by the likes of Gillian Anderson and Asa Butterfield, among others in the immensely talented cast.
